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94 Fantasias for 31 Voices (2025)

(electronic music) I am proud to announce my Fantasias! A set of algorithmically composed Fantasias, each inhabiting its own world of expression. A conference of intergalactic baroque ensembles in limitless just intonations, performing salutes to the fantasias of composers such as Byrd, Frescobaldi, Purcell, Sweelinck and their inventive, experimental counterpoint. These 94 works are all […]

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Pianorecital (2022)

Recording of the recital by Samuel Vriezen (Erard piano) at the Amsterdam Wandelweiserfestival 2022, Orgelpark, Amsterdam. Five pieces, played attacca: 0’00”:Chop. (Samuel Vriezen, 2019) ca. 5’30”:2. Stück 2004-1 (Manfred Werder, 2004) ca. 13’55”:3. Ballade nr. 4 in f minor (Frédéric Chopin, 1842) ca. 25’50”4. Stück 2004-2 (Manfred Werder, 2004) 32’22”:5. Frédéric Chopin (Samuel Vriezen, 2019.

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Composing Assembly – Second Act (2017)

A composition by Maya Felixbrodt (composer and musician), Aurélie Lierman (radio artist, vocalist, and composer) and Samuel Vriezen (composer and writer) as part of the second performative conference of Propositions #2: Assemblism. 25.11.2017, BAK, Utrecht (NL). Propositions #2: Assemblism is a day-long gathering that addresses the current rise of the new authoritarian world order, and

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Sharing Multiplicity 2012

for Toine Horvers Sound is at heart full of difference. There is no such thing as a static sound. Even the simplest timbre, a single sine wave without overtones, comes about through differences: the push and pull of air molecules as the soundwave travels through space. More complex sounds are dynamic timbres consisting of many

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