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94 Fantasias for 31 Voices (2025)

(electronic music) I am proud to announce the initial public offering of my Fantasias! A set of algorithmically composed Fantasias, each inhabiting its own world of expression. A conference of intergalactic baroque ensembles in limitless just intonations, performing salutes to the fantasias of composers such as Byrd, Frescobaldi, Purcell, Sweelinck and their inventive, experimental counterpoint. […]

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Pianorecital (2022)

Recording of the recital by Samuel Vriezen (Erard piano) at the Amsterdam Wandelweiserfestival 2022, Orgelpark, Amsterdam. Five pieces, played attacca: 0’00”:Chop. (Samuel Vriezen, 2019) ca. 5’30”:2. Stück 2004-1 (Manfred Werder, 2004) ca. 13’55”:3. Ballade nr. 4 in f minor (Frédéric Chopin, 1842) ca. 25’50”4. Stück 2004-2 (Manfred Werder, 2004) 32’22”:5. Frédéric Chopin (Samuel Vriezen, 2019.

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Composing Assembly – Second Act (2017)

A composition by Maya Felixbrodt (composer and musician), Aurélie Lierman (radio artist, vocalist, and composer) and Samuel Vriezen (composer and writer) as part of the second performative conference of Propositions #2: Assemblism. 25.11.2017, BAK, Utrecht (NL). Propositions #2: Assemblism is a day-long gathering that addresses the current rise of the new authoritarian world order, and

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Sharing Multiplicity 2012

for Toine Horvers Sound is at heart full of difference. There is no such thing as a static sound. Even the simplest timbre, a single sine wave without overtones, comes about through differences: the push and pull of air molecules as the soundwave travels through space. More complex sounds are dynamic timbres consisting of many

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